Body & Mind Training Center

Dear Ostad Jalilzadeh and dear friends, as usual others questions come to my mind.
I was looking at Anattawa. Ostad Jalilzadeh says that "sensero" is the action for keyeto which is reaction, am I right?
If I take as example mato technique, the hand that is doing the punch is action, the one that goes back is reaction. Reaction should be a defence, so I think I'm not wrong if I say that it could be seen as an huto to an attack coming from the back.
Transporting the concept to "sensero-keyeto", this means that I am doing an offense with "sensero" technique and I am defending with the keyeto from an attack coming from the opponent, have I got it right?
Thank you

Hi Patrizia,
Sensesero or Sensero isn't a technique. It's a sign. But when you doing Keyeto with that, it works as a reaction. However in Anattawa Sensero is a reaction for Keyeto only. There's no action as Huto for it. Same like Mato, when you doing Mato the reaction is only reaction, not a Huto at same time.
Have fun my friend.

Thank you so much Ostad Jalilzadeh. I see I have done a little bit of caos, keyeto action and sensero reaction (in this way of course it makes sense!). For mato action and reaction as an huto, this is how I was taught (wrong!), now I know I have to erase also this concept from my mind. Same for Sesero, I knew left hand was a defence from a incoming mato, and right hand an attack to the throat. I will keep in mind that is only a sign as you are saying, dot! It's incredible how you are teaching Anattawa, it's wonderfull. I counted 30 from minor to bigger mistakes in my version from wais-kineh axis and on. Thank you so much again my dear Ostad!

Dear Ostad Jalilzadeh and dear friends, once again I have some questions on Anattawa.

-About the kia: in the lesson there are not as much as I knew there were. Are they going to be taught in the next lesson, or I knew them wrong and there are only those and nothing more?

-About the gados: in "plus "tehcnique between yatteh rato and haima technique, the first gado is the one in which left arm is on the side at 90 degree to the floor and right hand is in front of the chest parallel to the ground, right? But if a gado is a guard or a sign, this means that I was wrong thinking that it was just a step in the movement that end with haima technique..
Is it a point of passage, or is it a guard or a sign?

I hope to have made myself understood. Thank you so much!

Dear Patrizia on how you make gado, you are right
2nd part, you are not on kamisema position. It means the gado isn't a sign. As you mentioned, it is a guard which a position to do a technique or techniques.
I hope that I understood the question right and gave you the proper answer.

Thank you my dear Ostad Jalilzadeh!!

So, it is a guard from which is led the next technique, haima in this case. Thank you!
Can I correctly say that Kamisemay is the first Gado?
And about the Kia, is there in program a second lesson for Anattawa or the kia are only these?
Sensero, heiss x2, haima x2 ["Atado-Yarommeh-Toa" are not kia but statement of the next step]

Thank you for the patience! To'a Ostad!